Material Memory Studio — Research
Material Research Library
A living archive of material references, historical sources, biomaterial experiments, pigments, binders, and artistic research — accumulated across 12 countries and ongoing studio practice.
Each entry includes what the material is, why artists use it, historical context, basic process, common failures, and Jay's own studio notes. The library grows with each workshop, residency, and research trip.
Field Research
Material Trips
Field research documentation — New York · Boston · and beyond
Material Library Visit
See Jay's own material collection in person — pigments, biomaterials, and more
Learn & Make
From archive to studio — learn these materials in person
The research here forms the foundation of our workshops and 1:1 material consultations. If you want to work with a specific material — hands-on, in the studio — reach out.
Group & Private Workshops
Material Memory Workshops
Hands-on sessions in Seoul — botanicals, pigments, natural dye, and more.
View workshops →
1:1 Material Consultation
Private Material Advisory
For artists and makers who need specific material guidance for a project.
Or email: hello@materialmemorystudio.com
Browse by Category
Funori — Seaweed Algae Binder
A red-algae glue from Kyoto — gentle, reversible, and nearly the opposite of rabbit skin glue in how it's made and used
Distemper
Animal glue paint — dry and matte, with a color shift on drying — the European counterpart to egg tempera
Casein & Milk Paint
Milk protein as binder — opaque and matte, the pair to egg tempera in natural paint practice
Traditional Gesso
Rabbit skin glue and chalk — the original ground for panel painting, from medieval altar panels to contemporary studio practice
Egg Tempera
Egg yolk as paint binder — history, preparation, and layering with one of painting's most stable mediums
Animal Glue — 아교 (Agyo)
Hide glue, fish glue, rabbit skin glue — binders and sizing agents for Korean traditional painting, canvas preparation, and gilding
Drying Oils & Resins
Linseed oil, perilla oil, sun-oxidized linseed, Canada Balsam, pine resin — binders for oil painting and natural varnishes